Evaluation of practical project

In the practical project, I tried with different categories on some traditional Chinese 

characters and I found that symmetry, editing stroke weight and cursive writing style are the best for designers creating their brands in Hong Kong because they look really 

effective.

Symmetry makes characters become more legible because it makes the character more like pictogram. Adjusting stroke weights can create a strong contrast to viewers. The cursive writing style provide the tradition beauty to the characters.

Overall the project, I think I can try to choose some famous UK brands and rebrand their logo into Hong Kong market with traditional Chinese characters next time so that I can have more chance to try working with traditional Chinese characters in Hong Kong 

market.

Final Design

The final design looks quite well, I like the simple idea of the typographic guide design. The front and cover I worked with green because it looks friendly and it match with the white colour fonts. The ring-binding guide look professional, while because of the single pages, the output seems a bit too thick.

Binding and materials consideration

In order to produce a good typographic guide, I was planning to do a metal ring-binding guide book vertically as it is easier for readers to flip the pages. Also, I was decided to print it in double side because it can save more paper. However, as I worked some pages in black&white and colour, they can't be printed in both colour mode at the same time and if I printed it all in colour mode, it would costs a lot of money. Therefore, the easiest way to solve this is to print it in single side so that some pages can be printed in black and white so that I can save more money. The only disadvantage of doing that is need to use quite a lot of paper.

Idea development

Since I changed my idea to produce a typographic guide, I started to collect examples as many as I can to get inspiration on how to edit the characters. First of all, I know that traditional Chinese characters also named as "Hanja" and "Kanji", which also using in Korea and Japan. However,  most of the young people don't use in their daily life especially Korean, also, there may have tiny difference on the characters. Hence, I was thinking I can compare the differences and then create a new design from that. Therefore, I asked some of my Japanese and Korean friends to help me to write some selected traditional Chinese characters and I can use the differences and form the design and then I sketched some quick ideas.

Since I got those basic ideas, I started to development them by those possible categories digitally, the outcomes are exactly what I wanted. For example, using English letters, geometric shapes, cursive strokes and hand writing, etc. At last, I selected five traditional Chinese characters randomly including "香", "港", "設", "計", "商" and then did some examples on how these categories can work on different characters in order to produce a typographic guide book.

Initial ideas

I was planning to do a branding rebrand for my practical project, choose an UK company and rebrand their logo for the Hong Kong market. While, I think this idea is a bit straightforward and it is too similar to the project project that I did in Cop2. Moreover, I think it is not challenging and I can only lear few things from it. 
Hence, I changed my idea to make something creative, and use my specific area (The knowledge of traditional Chinese) to my design. As a result, I changed my idea to make a typographic guide to be used by designers when branding for a Hong Kong market. It is a really interesting project, I can learn a lot of things from it, for example, I can get more experience on how to editing the traditional Chinese characters by those categories, it would be a great chance for me to prepare my future works in Hong Kong.

Practical project research

There are may categories that work well with traditional Chinese characters, the best ways to manipulate with traditional Chinese characters are symmetry, editing stroke weight and cursive writing style are the best categories for designers to create their brands in Hong Kong using traditional Chinese characters.

A lot of examples did by different designers in Hong Kong manipulated with those categories, I found some examples that are really inspiring. They tried to break the tradition rules of traditional Chinese characters to produce an unique design in brands or art works.

The original character on this design is "香港" which means Hong Kong, this design tried with bold stroke and it creates a strong and powerful feeling to viewers. 

In this design, they tried to change the stroke writing directing so that it looks more contemporary. 

Some characters can be transformed into pictogram in order to represent their meaning in other ways.

Taking the sound of letter "e", as it is same as the sound of "依" in traditional Chinese character, normally, people say "依家" which means "now". Due to the fact that "e" and "依" has the same sound so the designer tried to put "e" and "家" together.

This diagram showed how a traditional Chinese character can represent in pictogram.

In this design, the designer adjusted stroke weight on each part of the characters, hence, it has different stroke weights on each character.

The designer tried with symmetry, it looks slightly different to the original characters "相辯性理論" but it can still be readable.

It used geometric shapes (rectangle and square) to build these characters "井蓋展". 

It used rounded strokes to make this design.

It used the cursive strokes to create this design, the original character is "食".

This design tried with kerning, to join both characters together by its horizontal strokes.

It built by different geometric shapes (square, triangle, parallelogram, etc).

Practical project rational

In this practical project, the outcome is a typographic guide to be used by designers when branding for a Hong Kong market, including different categories that working on some

traditional Chinese characters. The aim of doing this is to show some examples of how those categories work in a physical outcome and give some suggestions to designers how they can manipulate with those categories on traditional Chinese characters.